Integrating text materials from movies, („Possession“ by Andrzej Zulawski, „A woman under influence“ by John Cassavetes), soap operas (e.g. María la del Barrio),concert moderations of Nina Simone, own writings,playing with different modes of performing from detachment strategies, exaggeration, to artificiality and private small talk I was searching for an embodied continuity, a rhythm in the space that we could all follow.

Latency (spanish „Latencia") as a concept can refer to something present but not yet visible, something boiling underneath the surface, to simultanity, a delay of cause and effect, to the time between infection and infectiousness. Latency is a threat and a promise at the same time.

Latencia invites the audience to a weirdly dosed meal, there is a cucumber,stones to eat, questions are being asked, it is an invitation to meet beyond the agreed meaning of language, it is an invitation of being together while strange things are happening, to connect through our heartbeats, to expand what we think is normal, to be confronted with your own subjectivity. „Private life is a stage and I am playing many parts that are smaller than me.“ Latencia is something between a casual gathering and a ritual, it is also a pretext to build a temporary home as a possibility for the artist to host people